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J.S. Bach

J.S. Bach: Matthäus-Passion, BWV 244: VI. Recitative: Da ging hin der Zwölfen einer

Samuel Ricke

0:38	Est. Play Time
9	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		11	12	3	2	88%
		9	0	2	1	89%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		11	12	3	2	88%
		9	0	2	1	89%
Continuo.		9	0	2	1	89%
Evangelist.		11	0	2	3	89%
Violone.		9	0	2	1	89%
Judas.		8	0	1	2	33%

12. Allein Gott in der Höh' sei Ehr', J.S. Bach, BWV 260.

SDG

0:55	Est. Play Time
12	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		1	0	0	1	6%
		14	0	3	5	100%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		1	0	0	1	6%
		14	0	3	5	100%
		1	0	0	1	6%
		14	0	3	5	100%
		1	0	0	1	6%
		16	0	3	4	100%
		16	0	3	4	100%
Soprano/Alto		14	0	3	5	100%
Tenor/Bass		16	0	3	4	100%
Contrabass		14	0	2	2	50%

48. Christus, der uns selig macht. BWV 283. J.S. bach.

SDG

0:49	Est. Play Time
17	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		17	0	4	4	100%
Tenor/Bass		25	0	8	6	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		17	0	4	4	100%
Tenor/Bass		25	0	8	6	100%
Contrabass		20	0	6	4	50%
Alto		2	0	0	1	6%

236. Lobt Gott, ihr Christen allzugleich (Nun danket All und bringet Ehr). BWV 195/6.

SDG

0:32	Est. Play Time
11	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute		7	0	1	4	100%
		7	0	1	4	100%
View all 13 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute		7	0	1	4	100%
		7	0	1	4	100%
Oboe		10	0	2	5	45%
		7	0	1	4	100%
Violin		11	0	2	5	45%
		7	0	1	4	100%
C Trumpet		12	0	1	4	95%
Soprano/Alto		15	0	3	5	95%
Contrabass		13	0	0	4	91%
Viola		13	0	3	4	91%
Violoncello		13	0	0	4	91%
Tenor/Bass		18	0	3	6	86%
Timpani		2	0	0	4	82%

103. Freu' dich sehr, o meine Seele (Tröstet, tröstet meine Lieben). BWV 30/6.

SDG

0:58	Est. Play Time
14	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		13	0	3	6	100%
Tenor/Bass		24	0	7	5	100%
Contrabass		15	0	4	4	49%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		13	0	3	6	100%
Tenor/Bass		24	0	7	5	100%
Contrabass		15	0	4	4	49%

102. Freu' dich sehr, o meine Seele (Weg, mein Herz mit den Gedanken). BWV 32.6

SDG

0:50	Est. Play Time
13	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		11	0	1	3	100%
Tenor/Bass		16	0	2	4	100%
Contrabass		11	0	1	3	49%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		11	0	1	3	100%
Tenor/Bass		16	0	2	4	100%
Contrabass		11	0	1	3	49%

212. In dich hab' ich gehoffet, Herr. BWV 52 #6

SDG

0:40	Est. Play Time
15	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Horn in F		11	0	1	4	100%
Soprano/Alto		12	0	3	5	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Horn in F		11	0	1	4	100%
Soprano/Alto		12	0	3	5	100%
Tenor/Bass		17	0	2	6	100%
Contrabass		10	0	1	5	48%

239. Mach's mit mir, Gott, nach deiner Güt (Durch dein Gefängniss Gottes Sohn). BWV 245/22.

SDG

0:47	Est. Play Time
10	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	3	3	100%
Tenor/Bass		22	0	5	4	100%
Contrabass		14	0	3	2	47%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	3	3	100%
Tenor/Bass		22	0	5	4	100%
Contrabass		14	0	3	2	47%

114. Gott des Himmels und der Erden. BWV 248/53

SDG

0:39	Est. Play Time
8	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		12	0	1	4	100%
Tenor/Bass		17	0	3	6	100%
Contrabass		11	0	1	4	47%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		12	0	1	4	100%
Tenor/Bass		17	0	3	6	100%
Contrabass		11	0	1	4	47%

214. In dich hab' ich gehoffet, Herr. BWV 248 #46.

SDG

0:01	Est. Play Time
13	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	3	6	100%
Tenor/Bass		18	0	4	4	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	3	6	100%
Tenor/Bass		18	0	4	4	100%
Contrabass		14	0	3	4	54%
Violoncello		1	0	0	1	8%

104. Freu' dich sehr, o meine Seele. BWV 39/7

SDG

0:50	Est. Play Time
13	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		15	0	3	5	100%
Tenor/Bass		17	0	3	3	100%
Contrabass		13	0	1	3	49%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		15	0	3	5	100%
Tenor/Bass		17	0	3	3	100%
Contrabass		13	0	1	3	49%

90. Es ist das Heil uns kommen her. BWV 117 #4/9

SDG

0:51	Est. Play Time
12	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		16	0	4	4	100%
Tenor/Bass		24	0	5	5	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		16	0	4	4	100%
Tenor/Bass		24	0	5	5	100%
Contrabass		18	0	4	3	48%
Violoncello		18	0	4	3	48%

341. Was Gott thut, das ist wohlgethan. BWV 99.6.

SDG

0:49	Est. Play Time
12	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		13	0	1	5	100%
Tenor/Bass		16	0	3	4	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		13	0	1	5	100%
Tenor/Bass		16	0	3	4	100%
Contrabass		9	0	1	3	50%
Alto		1	0	0	1	6%

181. Ich freue mich in dir. BWV 133/6.

SDG

0:53	Est. Play Time
14	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		13	0	2	6	100%
Tenor/Bass		16	0	2	4	100%
Contrabass		10	0	1	4	49%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		13	0	2	6	100%
Tenor/Bass		16	0	2	4	100%
Contrabass		10	0	1	4	49%

122. Meine Seele erhebt den Herren (Lob und Preis sei Gott dem Vater und dem Sohn). BWV 10/7.

SDG

0:57	Est. Play Time
22	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		13	0	2	4	100%
Tenor/Bass		20	0	4	4	98%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		13	0	2	4	100%
Tenor/Bass		20	0	4	4	98%
Contrabass		14	0	1	3	48%
Violoncello		14	0	1	3	48%

124. Helft mir Gott's Güte preisen. BWV 28/6.

SDG

0:48	Est. Play Time
14	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		12	0	2	4	100%
Tenor/Bass		17	0	3	4	100%
Contrabass		13	0	2	4	49%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		12	0	2	4	100%
Tenor/Bass		17	0	3	4	100%
Contrabass		13	0	2	4	49%

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